{"id":73,"date":"2026-05-10T22:10:07","date_gmt":"2026-05-10T22:10:07","guid":{"rendered":"https:\/\/lab545.com\/program\/festival-sight-sound-11-juin\/marsol-sight-sound-11-juin\/"},"modified":"2026-05-20T15:52:47","modified_gmt":"2026-05-20T15:52:47","slug":"marsol-sight-sound-11-juin","status":"publish","type":"daf_program_item","link":"https:\/\/lab545.com\/fr\/program\/festival-sight-sound-13-juin\/marsol-sight-sound-11-juin\/","title":{"rendered":"Marsol"},"content":{"rendered":"\n

No acabar\u00e1n mis flores<\/strong><\/strong><\/h2>\n\n\n\n
\"\"<\/figure>\n\n\n\n

No acabar\u00e1n mis flores<\/em> explore la rencontre entre la voix humaine et la voix des machines, entre le glitch organique et le pattern construit, entre h\u00e9ritage mexicain et marocain. Ces rencontres ne sont pas lisses; elles g\u00e9n\u00e8rent des tensions, des frottements et des zones d\u2019\u00e9quilibre temporaires. Le projet explore ces espaces interm\u00e9diaires comme des territoires vivants en constante \u00e9volution. Reposant sur une approche partag\u00e9e du son et de l\u2019image comme mati\u00e8res vivantes, No acabar\u00e1n mis flores<\/em> s\u2019appuie sur la voix chant\u00e9e de Soledad, issue de la chanson populaire mexicaine, transform\u00e9e en direct \u00e0 l\u2019aide de traitements num\u00e9riques. Marwan part quant \u00e0 lui d\u2019images r\u00e9elles qu\u2019il d\u00e9construit en direct \u00e0 travers divers proc\u00e9d\u00e9s de glitch. Ces images alt\u00e9r\u00e9es \u00e9voluent progressivement vers des formes r\u00e9p\u00e9titives et structur\u00e9es en r\u00e9f\u00e9rence aux zelliges marocain, des carreaux de mosa\u00efque en terre cuite \u00e9maill\u00e9e, typiques de l’artisanat du pays et plus largement de l’architecture arabo-andalouse.<\/p>\n\n\n\n

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<\/p>\n\n\n\n

Marsol<\/strong><\/h3>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/div>\n\n\n\n

Marsol est un duo compos\u00e9 de Soledad Coyoli au son et de Marwan Sekkat au visuel. Iels se rencontrent en 2023 \u00e0 travers une soir\u00e9e de performance o\u00f9 iels d\u00e9couvrent les r\u00e9sonances entre leurs pratiques artistiques. Touste deux cherchent \u00e0 cr\u00e9er des ponts entre des pratiques artisanales issues de leur h\u00e9ritage culturel respectif et des m\u00e9diums num\u00e9riques. Leur travail \u00e0 d\u00e9j\u00e0 \u00e9t\u00e9 pr\u00e9sent\u00e9 \u00e0 la Casa del popolo, au Festival Of Time 2026 de Everyday Ago et \u00e0 Hexagram.<\/p>\n\n\n\n

@c4pickasiette<\/a> \/ marwansekkat.art<\/a><\/p>\n\n\n\n

@unasoledad<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Entre h\u00e9ritage culturel mexicain et marocain, voix, traitements num\u00e9riques et images glitch\u00e9es se rencontrent, s’alt\u00e8rent et se d\u00e9construisent en direct; habitant ensemble des espaces interm\u00e9diaires, vivants et instables.<\/p>\n","protected":false},"featured_media":0,"parent":91,"menu_order":2,"template":"","program_type":[],"program_period":[6],"festival_day":[4],"festival_venue":[39,40],"class_list":["post-73","daf_program_item","type-daf_program_item","status-publish","hentry","program_period-soiree","festival_day-juin-13","festival_venue-4e-etage","festival_venue-salle-multi"],"meta":{"_fr_post_content":"\n

No acabar\u00e1n mis flores<\/strong><\/strong><\/h2>\n\n\n\n
\"\"<\/figure>\n\n\n\n

No acabar\u00e1n mis flores<\/em> explore la rencontre entre la voix humaine et la voix des machines, entre le glitch organique et le pattern construit, entre h\u00e9ritage mexicain et marocain. Ces rencontres ne sont pas lisses; elles g\u00e9n\u00e8rent des tensions, des frottements et des zones d\u2019\u00e9quilibre temporaires. Le projet explore ces espaces interm\u00e9diaires comme des territoires vivants en constante \u00e9volution. Reposant sur une approche partag\u00e9e du son et de l\u2019image comme mati\u00e8res vivantes, No acabar\u00e1n mis flores<\/em> s\u2019appuie sur la voix chant\u00e9e de Soledad, issue de la chanson populaire mexicaine, transform\u00e9e en direct \u00e0 l\u2019aide de traitements num\u00e9riques. Marwan part quant \u00e0 lui d\u2019images r\u00e9elles qu\u2019il d\u00e9construit en direct \u00e0 travers divers proc\u00e9d\u00e9s de glitch. Ces images alt\u00e9r\u00e9es \u00e9voluent progressivement vers des formes r\u00e9p\u00e9titives et structur\u00e9es en r\u00e9f\u00e9rence aux zelliges marocain, des carreaux de mosa\u00efque en terre cuite \u00e9maill\u00e9e, typiques de l'artisanat du pays et plus largement de l'architecture arabo-andalouse.<\/p>\n\n\n\n

\n\n\n\n

<\/p>\n\n\n\n

Marsol<\/strong><\/h3>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/div>\n\n\n\n

Marsol est un duo compos\u00e9 de Soledad Coyoli au son et de Marwan Sekkat au visuel. Iels se rencontrent en 2023 \u00e0 travers une soir\u00e9e de performance o\u00f9 iels d\u00e9couvrent les r\u00e9sonances entre leurs pratiques artistiques. Touste deux cherchent \u00e0 cr\u00e9er des ponts entre des pratiques artisanales issues de leur h\u00e9ritage culturel respectif et des m\u00e9diums num\u00e9riques. Leur travail \u00e0 d\u00e9j\u00e0 \u00e9t\u00e9 pr\u00e9sent\u00e9 \u00e0 la Casa del popolo, au Festival Of Time 2026 de Everyday Ago et \u00e0 Hexagram.<\/p>\n\n\n\n

@c4pickasiette<\/a> \/ marwansekkat.art<\/a><\/p>\n\n\n\n

@unasoledad<\/a><\/p>\n","_fr_post_excerpt":"Entre h\u00e9ritage culturel mexicain et marocain, voix, traitements num\u00e9riques et images glitch\u00e9es se rencontrent, s'alt\u00e8rent et se d\u00e9construisent en direct; habitant ensemble des espaces interm\u00e9diaires, vivants et instables.","_fr_post_title":"Marsol","_fr_post_name":"marsol-sight-sound-11-juin","_en_post_content":"\n

No acabar\u00e1n mis flores<\/strong><\/strong><\/h2>\n\n\n\n
\"\"<\/figure>\n\n\n\n

No acabar\u00e1n mis flores<\/em> explores the encounter between the human voice and the voice of machines, between organic glitch and constructed patterns, and between Mexican and Moroccan heritage. These encounters are not smooth; they generate tensions, friction, and temporary points of equilibrium. The project explores these intermediate spaces as living territories in constant evolution. Based on a shared vision of sound and image as living materials, \u201cNo acabar\u00e1n mis flores\u201d centers on Soledad\u2019s singing voice, rooted in Mexican folk music, which is transformed in real time using digital processing. Meanwhile, Marwan starts with real-world images that he deconstructs live through various glitch techniques. These altered images gradually evolve into repetitive, structured forms reminiscent of Moroccan zelliges\u2014glazed terracotta mosaic tiles\u2014which are characteristic of the country\u2019s traditional crafts and, more broadly, of Arab-Andalusian architecture.<\/p>\n\n\n\n

<\/p>\n\n\n\n

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<\/p>\n\n\n\n

Marsol<\/strong><\/h3>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/div>\n\n\n\n

Marsol is a duo consisting of Soledad Coyoli on sound and Marwan Sekkat on visuals. They met in 2023 at a performance event where they discovered the connections between their artistic practices. Both seek to bridge traditional craft practices, rooted in their respective cultural heritages, and digital media. Their work has already been presented at Casa del Popolo, at Everyday Ago\u2019s Festival Of Time 2026, and at Hexagram.<\/p>\n\n\n\n

@c4pickasiette<\/a> \/ marwansekkat.art<\/a><\/p>\n\n\n\n

@unasoledad<\/a><\/p>\n","_en_post_excerpt":"Between Mexican and Moroccan cultural heritage, voice, digital processing, and glitched images meet, shift, and deconstruct each other live.","_en_post_title":"Marsol","_en_post_name":"marsol-sight-sound-june-11","edit_language":"fr"},"_links":{"self":[{"href":"https:\/\/lab545.com\/fr\/wp-json\/wp\/v2\/daf_program_item\/73","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lab545.com\/fr\/wp-json\/wp\/v2\/daf_program_item"}],"about":[{"href":"https:\/\/lab545.com\/fr\/wp-json\/wp\/v2\/types\/daf_program_item"}],"version-history":[{"count":18,"href":"https:\/\/lab545.com\/fr\/wp-json\/wp\/v2\/daf_program_item\/73\/revisions"}],"predecessor-version":[{"id":661,"href":"https:\/\/lab545.com\/fr\/wp-json\/wp\/v2\/daf_program_item\/73\/revisions\/661"}],"up":[{"embeddable":true,"href":"https:\/\/lab545.com\/fr\/wp-json\/wp\/v2\/daf_program_item\/91"}],"wp:attachment":[{"href":"https:\/\/lab545.com\/fr\/wp-json\/wp\/v2\/media?parent=73"}],"wp:term":[{"taxonomy":"program_type","embeddable":true,"href":"https:\/\/lab545.com\/fr\/wp-json\/wp\/v2\/program_type?post=73"},{"taxonomy":"program_period","embeddable":true,"href":"https:\/\/lab545.com\/fr\/wp-json\/wp\/v2\/program_period?post=73"},{"taxonomy":"festival_day","embeddable":true,"href":"https:\/\/lab545.com\/fr\/wp-json\/wp\/v2\/festival_day?post=73"},{"taxonomy":"festival_venue","embeddable":true,"href":"https:\/\/lab545.com\/fr\/wp-json\/wp\/v2\/festival_venue?post=73"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}